CA-2A Leveling Amplifier. Power to the producer. Cakewalk is excited to announce our very own CA-2A T-Type Leveling Amplifier! A Handcrafted Plug-in of Classic Proportions. The CA-2A T-Type Leveling Amplifier captures the true performance energy of some of the most classic devices used in studios for the past 50 years.

I set each compressor by ear as well as level matched the outputs by ear, so while each is set similarly, they will inherently be slightly different as each reacted differently to the source material. This vocal track suited such a test well due to the fact it is dynamic which pushes the compressor harder at points. I used some EQ and de-essing on the vocal prior to the compression.My thoughts on each compressor are below:Waves CLA-2AThe Waves CLA-2A used to be my favorite opto compressor, that is until I heard what other choices were out there. While it does a good job of leveling the vocal, I feel it sounds flatter than some others and dries out the sparkle and depth of the vocal.IK Multimedia T-Racks White 2AI actually quite liked the White 2A. IK has really stepped up their game with the latest release of their modeled compressors and EQs.

I felt I could push this unit harder and get more gain reduction whilst remaining rather transparent. I dig the ballistics of the attack and release settings as well. It seems to be very musical on many sources.Native Instruments VC 2A by SoftubeThis compressor sounds the most transparent to my ears. Transparent but not my favorite. It lacks a bit of the character of some of the others. Softube does great modeling and the compressor comes with some added controls which is nice.UAD Teletronix LA-2A SilverThe new releases of the LA-2A and 1176 from UAD are truly in another league as far as in-the-box compression is concerned.

With these models, you don’t get an over-compressed feel from the software. It retains the compressor characteristics but also retains the feel and depth of the original vocal.UAD Teletronix LA-2A GreyThe Grey release with its slightly slower attack and release and touch of color is my favorite on this source vocal.

Everything seems to work right in regards to level control, timing, and color.UAD Teletronix LA-2A Original UnitThis unit modeled off the original T4 opto cell has a specific sound which I feel is good on some sources but it has to be the right source. It has a buttery sound but is a touch too slow for me here. Harry potter 1 sinhala dubbed online movie. Would sound nice following a faster compressor to smooth things out.So those are my thoughts. Have any opinions on your preference?

I want something I can use on individual stuff, too. The UA plugs just keep getting batter. With its gentle, program dependent optical compression, and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world.

Some people use three or more compressors on a track! I find the Fairchild much better suited for ” punch” and “attack”. Fairchild By Stacy in forum General Discussion. I use all three compressors in my mixes and the sound quality of ALL 3 is just amazing! Uploader:Date Added:12 July 2009File Size:38.44 MbOperating Systems:Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/XDownloads:34267Price:Free.Free Regsitration RequiredYou must have JavaScript enabled uad la2a your browser to utilize the functionality of this website. Here’s an example of an acoustic piano, first without compression I adds that extra element to every recording it’s a must buy if you want that radio sound and clarity.JavaScript seems to lq2a disabled in your browser.Here’s an example of a British Combo rhythm guitar line, first dry. Each one has their own tone and different attack and release times.By dreichley in yad General Discussion.

Young March 25, uad la2a Ce plug est un must have. LA-2A Grey has medium attack and release uad la2a and is the best compromise on many sources with uxd more meaty tone. I cannot think of a better vocal chain than a U47 running through a Ruper Neve designed preamp into the LA-2A before the signal hits the converters. For example, if you like the sound of getting 5 to 7 dB of compression with the LA-2A, a large peak might suddenly cause 12 dB of compression and the release might not recover in time for the next audio transient.

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Usually it is best to find a part of the track with the highest peak or peaks and cycle that, and adjust to get the effect I described. Tips & Tricks — Teletronix LA-2A Classic Leveler Plug-In Collection Universal AudioPerforms well on transients, gives character to the tracks. III of la2s plug-in collection will simply be them shipping the hardware straight to your door.All times are GMT The LA2A is plain magic. Just like all audio tools, there are no hard and fast rules.

As the light gets brighter, the photo resistor’s uad la2a increases, which reduces the gain. UA made the compressors like virtual tanks! Giorgi April 18, Why, you may well ask? Sound so warm and the way they melt uad la2a a record is Extra ordinary, I run my neaumann mic thru my Avalon to he LA2a and the results are very impressive.

Teletronix® LA-2A Classic Leveling Amplifier Universal AudioThis will impact your drum balance, of course, so you may need to play with the respective channels’ compressor settings until you find the right blend, as I’ve attempted to do in the following drum part. Here’s an example of a British Combo rhythm guitar line, first dry: Dial-in ideal optical compression textures for vocals, bass, drums, and more. Some people use three or more compressors on a track! Here’s the lead vocal track before treating it with LA-2A compression.

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