Robert Allen Palmer (19 January 1949 – 26 September 2003) was an English singer-songwriter and musician. He was known for his distinctive soulful voice, eclectic mix of musical styles on his albums, combining soul, jazz, rock, pop, reggae and blues and sartorial acumen.

ReleasedMay 12, 2003Length42: 57Robert Palmerchronology(2001)Drive(2003)Professional ratings Review scoresSourceRatingDrive is a 2003 album by musician, his fourteenth solo studio album, and his last album before his death.Drive was critically hailed as the grittiest and most heartfelt album of Palmer's career. Initially approached by guitarist to contribute to the 2001 tribute album Hellhound on My Trail, for which Palmer recorded ' with Carlton on guitars, Palmer was then invited by to provide the soundtrack to her 2001 directorial debut, set in and during the 1940s and 1950s. Palmer took both signs as a good omen, and the impetus for Drive was born. After more thoroughly researching this particular genre of music, Palmer assembled a list of fifty possible tracks, and then began the arduous task of whittling that list down to a manageable set of twelve. The selections from Drive can best be described as a loose collection of both standard and contemporary blues compositions (Robert Johnson, Little Willie John, Keb' Mo'), with a smattering of other genres, including folk (Nicolai Dunger) and calypso (Mighty Sparrow), prompting Palmer to call the end result 'a gut-buckety swamp thing.'

The recording and mixing of Drive took place in both Logic Studios (, ) and Palmer's home studio (, ). Because of the satisfaction and enthusiasm having recorded the initial twelve songs, Palmer decided to cut three more tracks ('29 Ways To My Baby's Door,' 'It Hurts Me Too,' 'Stupid Cupid'), this time at the Sphere in London.The album peaked at #10 on the US Blues albums chart. Track listing. 'Mama Talk To Your Daughter' (, Alex Atkins) (2:27). 'Why Get Up?'

(Bill Carter, Ruth Ellsworth) (3:01). 'Who's Fooling Who?' (, Harvey Price, Daniel Walsh) (2:49).

'Am I Wrong?' Moore, aka ) (2:04). ' (, ) (3:24). 'Lucky' (, Robert Palmer) (2:22). 'Stella' (Slinger Francisco) (3:59). 'Dr Zhivago's Train' (3:58). 'Ain't That Just Like A Woman' (, Fleecy Moore) (1:59).

' (, ) (2:03). 'Crazy Cajun Cake Walk Band' (Jim Ford, ) (3:08). ' (Mertis John Jr.) (2:14)Personnel. Robert Palmer - vocals, bass guitar.

guitar. Mauro Spina - drums, percussion. James Palmer - drums, percussion, on 'Dr. Zhivago's Train'.

Dr. Gabs - piano, Hammond organ, synthesizer, bass guitar on 'Stella'. Franco Limido - harmonicaReferences.

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Sneakin' Sally Through the Alley is 's debut solo album, released in 1974. It was his first effort after three album releases co-fronting the band.Palmer is backed by and of.Multiple reviewers have commented that Palmer sang confidently on thisalbum, despite being backed by more accomplished musicians such asLowell George, and New Orleans singer-songwriter.Recorded in, New York, and in, the album was released on compact disc in 1987 by Wea manufacturing.The album peaked at No. 107 in the US according to the.The title track is used on the video game, and is frequently performed by the.Before becoming a slick, sharp-dressed pop star in the 1980s, was a soul singer deeply rooted in R&B and funk.

Those influences are on full display on his debut album. With a backing band including members of and, the music has a laid-back groove whether 's covering New Orleans legend (the title track) or singing originals ('Hey Julia,' ' Get Outside').

While the music is tight and solid, it is 'svoice that is revelatory - he sounds supremely confident among thesetalented musicians, and they seem to feed off his vocal intensity. Fansof or people who want to discover the funky side of should check this one out.(who is mentioned in the lyrics to “”) had more than fifteen albums of his own, plus two more with. The ninth brought him MTV fame, accompanied by iconic videos such as for “.” But it was his first album in 1974, with the hit title track 'Sneakin' Sally through the Alley' (as well as one other tune), that brought him radio fame (and celebrity more generally) years earlier.Written by later Feat member Allen Toussaint, it was originally recorded by for his album four years earlier, produced by Toussaint and with backing Dorsey, packaged it in a funky six-song suite buffered by title tracks. (Dorsey also released Toussaint's ', five years after Feat did, on his 1978.)Long before he became the sharp-dressed star of a series of sleek MTV-era videos, Robert Palmer was an R&B savant. Paired on his solo debut with a clutch of bonafide soul stars, he completely held his own.In fact, ‘Sneakin’ Sally Through the Alley’ — released in September 1974 on Island — features a who’s who of the funky and the famous. Included were three members of Little Feat; three members of the Meters; everyone from the group Stuff, which was led by Cornell Dupree and Bernard Purdie; and strings svengali Gene Page, a Barry White collaborator. They surrounded a singer barely out of his teens who was best known, at least back in his native UK, for work with a far less interesting blues-rock outfit called Vinegar Joe.“Here was this white English kid coming to New Orleans and New York to work with bands I had only heard on vinyl,” the late Palmer told the Daily News back in 1996.

“I first knew Stuff when they were called the Encyclopedia Of Soul, the seminal New York rhythm and blues band. They had been on loads of records and still had that raw edge.

So, I jumped in the deep end and asked if they would be up for some sessions. They didn’t know me from Adam — and, at first, they wouldn’t even say hello. But eight bars into the first tune, Purdie turned around and said, ‘Sir, excuse me, what did you say your name was?’ From then on, it was great.”He arrived with some rough sketches, but most of ‘Sneakin’ Sally Through the Alley’ was developed on the spot, as Palmer — to his credit — took advantage of the collective knowledge in the room. These loose sessions even found Palmer improvising vocally, in direct contrast to his buttoned-down ’80s image.Still, as off-handed as it all sounds, this was just the way the young Palmer had planned it. “My ideas were carried through from start to finish, and the spontaneity, came from employing the right people to play,” Palmer told the Lowell Sun in 1976. “I heard them playing the songs that I wrote not physically, but in my head. I thought, ‘He’d be great doing this, and he’d be great doing that.’ I didn’t have to ask them to play a certain way, they just did it naturally.”Sometimes, as with ‘Through It All, There’s You’ — the closing track on ‘Sneakin’ Sally Through the Alley’ — that meant stretching a song well past 12 minutes.

“There was no reason to stop,” Palmer told the Daily News. “We were just cueing the sections by numbers, which is how they do it in New Orleans. You know, ‘Go to the three section!’ You’d just keep going until somebody woke up, basically.”Track listingAll songs by Robert Palmer except where noted.' Sailing Shoes' (Lowell George) – 2:44'Hey Julia' – 2:24'Sneakin' Sally Through the Alley' (Allen Toussaint) – 4:21'Get Outside' – 4:32'Blackmail' (Robert Palmer, Lowell George) – 2:32'How Much Fun' – 3:02'From a Whisper to a Scream' (Allen Toussaint) – 3:32'Through It All There's You' – 12:17PersonnelTracks 1, 6, & 7 – The MetersArt Neville – keyboardsLeo Nocentelli – guitarGeorge Porter, Jr. Evoluent mac software. – bassJoseph Modeliste – drumsTrack 3 – The Meters, Simon Phillips and Lowell GeorgeArt Neville – keyboardsLeo Nocentelli – guitarGeorge Porter, Jr. – bassSimon Phillips – drumsLowell George – slide guitarTracks 4, 5, & 8 is the New York rhythm sectionCornell Dupree – guitarRichard Tee – pianoGordon Edwards – bassBernard Purdie – drumsJim Mullen – guitar on track 2Jody Linscott – percussion on track 2Steve York – harmonica solo on track 3Lowell George – guitar on 1, 3, 4, 6, & 7Steve Winwood – piano on 8.